Close to the end of the lunar Chinese year, everyone is busy preparing for the new year. I was busy too, not for my house, but for my soul. I had a close encounter with a great musician who chose against his wealthy father's wishes a career, not in law but in music. Music must have been something which deeply touched his soul. And because it touched his, it touched mine too, through the
Schumann Fest of the HKPO.
The initial encounter started with his first two symphonies and his cello concerto on January 18 under the baton of
Hans Craf. Schumann's first symphony, his
No.1 in B flat, op. 38 was originally called "
Spring" because he was so affected by its spirit, shortly after his marriage to
Clara Wieck. It was a symphony full of vigor and spirit right from the start in
Andante un poco maestoso--Allegro molto vivace. with its second movement in larghetto, its third in
Scherzo in molto vivace--molto piu vivace and its 4th in
Allegro animato e grazioso. It was full of fanfare According the programme notes, he wrote it with a quill pen found near the Beethoven's tomb. The influence of Beethoven was evident: its passion, its force, its romance and its sense of triumph and as Schumann is its composer, its poesy.